Artistic criticism of Christianity
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Note: This PhiloWiki.com page can be directly accessed by pisschrist.org. There are also pages at pissabraham.com and pissmohammed.com. These pages are part of the Religion and the Media Debate Guide.
Critical art
New York Times (October 2, 1999 editorial):
“To be sure, many citizens of conscience find parts of the Brooklyn exhibition repugnant, and it is understandable that many Roman Catholics would find Chris Ofili's image of the Virgin Mary offensive. Others would agree with our colleague William Safire that while the Brooklyn Museum has a right to show what it likes, the administrators have been clumsy or needlessly provocative. Yet a Daily News poll shows that the majority of New Yorkers support the museum over Mayor Giuliani by a ratio of two to one. Those numbers show a broad-based support for New York's role as the nation's cultural capital. The people understand intuitively what Mr. Giuliani ignores for political gain. A museum is obliged to challenge the public as well as to placate it, or else the museum becomes a chamber of attractive ghosts, an institution completely disconnected from art in our time.”
Front Page Magazine:
"Back in 1988, Andres Serrano submerged a crucifix in a vat of his urine, photographed the result and called it “art.”
Naturally, many of the world's two billion Christians were bothered by his antics. Members of the U.S. Congress called for a hard look at the National Endowment for the Arts, which had helped fund Serrano. Public outcry against Serrano was vocal and widespread.
As the uproar grew, numerous editorials in defense of Piss Christ, Serrano's controversial creation, were printed in U.S. and European newspapers and the Western cultural elite quickly sprang to his defense. For months, the New York Times beat the “freedom of expression” drum for all its worth, publishing numerous articles and opinion pieces sympathetic to Serrano and depicting him as courageous. In New York City, where Serrano lived, 400 New York artists held a public rally in support of his work and his right to create and display it. Serrano became a celebrated art world hero.
Though some criticisms of Piss Christ, and the man who created it, were intemperate, Serrano's art was never forced underground, nor was his life seriously threatened, nor was he forced into hiding a la Salman Rushdie or placed in protective custody. Violence-prone packs of Christians did not roam the streets of Paris, or London, or Frankfurt, or Madrid, or New York calling for the head of Piss Christ's creator."
This image is still viewable on CNN.
